The Three Most Important Parts of .NET Platform Essay Example for Free

The Three Most Important Parts of .NET Platform Essay â€Å"The . NET Framework is an integral Windows component that supports building and running the next generation of applications and XML Web services. † (MSDN) The objectives of the . NET framework include providing a consistent environment for local and remote execution, minimizing deployment and versioning conflicts, ensuring consistent performance across Windows and Web based applications, and promoting industry standard code that easily integrates with any other code. The three key parts in the . NET framework that make these possible are: ? Common Language Runtime ? Base Class Library ? Assemblies Parts of the . NET Framework Common Language Runtime The Common Language Runtime (CLR) manages systems services such as memory management, code execution, compilation, and code safety verification. The CLR is at the heart of interoperability by providing a common environment for different codes to run. â€Å"The incorporation of ‘language’ features into a common language runtime, rather than a particular language, allows languages to freely interoperate within the overall . NET platform. † (Sessions) The CLR provides a secure and robust environment for execution, multi-language support, simplified development and deployment. To provide the required functionality, the CLR provides cross-language integration, cross-language exception handling, support for different versions, deployment support, and debugging and profiling services. (MSDN) One of the major strides that has been made with the introduction of the . NET platform is the feature of language independence. This means that any . NET-enabled language can be used to create code, and can be integrated with other parts of the program. This functionality is achieved by . NET through the use of an Intermediate Language into which all source codes are converted to provide a common basis for execution. The CLR employs a Just-In-Time compilation (JIT) process that includes only those parts of the code that are required at runtime to be compiled. The JIT includes a feature of caching that allows it to re-use code that is used more than once within a program, making the process faster and more efficient. (Evjen et al. 8) The CLR uses metadata that keeps track of the types, members and references within the code. All common runtime executable versions contain the metadata, which tells the program where to look for classes and helps if to manage memory, enforce security and generate native code. The CLR makes it possible to share classes and methods across languages, using a common type system that is defined during runtime. (Evjen et al. 9) The metadata enables the code to run as â€Å"managed code†, which runs under the CLR following the rules set by it. This ensures that the services mentioned earlier such as code-access security, lifetime control of objects and memory management, and cross-language integration of code can be provided by the CLR. From the above it can be seen that the Common Language Runtime is basic to some of the major breakthroughs in the . NET environment, and is therefore, a very important part of it. Base Class Library The second major part of the . NET framework is the Base Class Library. The Base Class Library contains classes and types that expedite the development process, as well as allow the sharing of these, to provide easy and common means for accessing system functionality, and execute common tasks. The . NET types conform to Common Language Specifications that apply to all . NET enabled languages. This makes it possible to write code in any of these languages using these types. This represents one of the major contributions to interoperability between languages, which is at the heart of the . NET approach. Thus Base Class Library forms the second most important part of the . NET framework. The . NET framework provides a number of abstract and concrete classes that make it possible to write powerful programs in any one or a combination of the supported languages. The framework also provides a rich repertoire of interfaces. The rich functionality provided by the interfaces can be used by either using an existing class that implements these interfaces and by deriving a user defined class from them, or can be implemented by creating a class that implements these interfaces. The . NET applications, controls and components depend on the type definition, which is one of the constituents of the Base Class Libraries. This enables the framework to handle various functions such as encapsulating data structures, perform I/O and invoke security checks. (MSDN) From the above it can be seen that much of the functionality of the . NET framework is derived from, and is dependent on, the Base Class Libraries. Assemblies As we have seen, the Common Language Runtime and the Base Class Libraries represent the bases on which the crucial and differentiating features of the . NET framework are built. These provide a common framework for developing the application. The next most important aspect of an application is to run it. This is facilitated by Assemblies. â€Å"Assemblies are the building blocks of . NET Framework applications; they form the fundamental unit of deployment, version control, reuse, activation scoping, and security permissions. † (MSDN). The Assemblies contain resources and types that are required at runtime. The Common Language runtime is possible because of Assemblies, because they provide vital information that makes the runtime application aware of the types and other resources used. This makes it possible to run an integrated application that contains diverse codes written in a variety of CLR-enabled languages. The Assembly contains code that the common language runtime executes. The Intermediate Language code depends on associated assemblies to be executed. Thus the Assemblies are fundamental to the . NET framework, and allow the parts to function at runtime. For this reason, they represent the third most critical part of the . NET framework. Conclusion The . NET framework is distinguished by its ability to integrate and run code written in a variety of languages, and to operate the system securely and consistently under different environments such as remote and local execution. These features have become possible because of the three essential parts of the framework, namely the Common Language Runtime, Base Class Libraries, and Assemblies. Works Cited 1. Evjen, Bill, et al. Visual Basic . NET Programming Bible. New Delhi: Wiley Dreamtech India (P) Ltd. , 2004. 2. MSDN. 2007. Overview of the . NET Framework. Microsoft Corporation. 22 March 2007. http://msdn2. microsoft. com/en-us/library/a4t23ktk. aspx 3. Sessions, Roger. 28 March 2001. J2EE versus the . NET Platform: Two Visions for E-Business. ObjectWatch, Inc. 22 March 2007. http://www. objectwatch. com/FinalJ2EEandDotNet. doc

Shawshank Redemption Essay Example for Free

Shawshank Redemption Essay Analysis of The Shawshank Redemption While there often appears to be just a story line in a movie, many different techniques are used to give a deeper meaning to the scenario. This is evident in the movie, The Shawshank Redemption. The story begins when Andy Dufresne, a young vice president of a prestigious Portland, Maine bank, is wrongfully convicted of killing his wife and her lover. He is then sent to jail where he learns lessons about life through his friends and becomes part of a corrupt scheme to launder money. After nineteen years Andy tunnels out of the prison into freedom. While it appears simple on the surface, through the use of many techniques such as title, colors, symmetry, names, numbers, symbols, irony, bible references, and others, The Shawshank Redemption gains a deeper meaning. The title, The Shawshank Redemption, initially has a saving appeal to it. Websters Dictionary defines redeem as †¦to free from what distresses or harm (Webster 968). There is the initial sense of salvation for whatever Shawshank might be. However, this sense changes when it is discovered that Shawshank is a state prison in Maine. With this knowledge the title is an oxymoron. How is it that a prison can provide redemption? The title gains its full meaning at the end of the movie. Andy Dufresne is redeemed through his experience at the prison. He learns about life there, while teaching others. He is redeemed through his second chance at life after his escape from the prison. In this sense he takes the Websters meaning of redeem, to extricate from or help to overcome something detrimental (Webster 968). A movie is controlled by ideas and techniques that are engulfed in almost every aspect of the film. In The Shawshank Redemption, there are three main ideas and techniques that carry the film, being walls, lighting, and water. Both literal and figurative walls trap Andy. In the beginning, he is trapped by the figurative wall of losing his cheating wife. When he goes to prison, the prison walls trap him. Within Andys cell, the names of the previous inmates are carved into the walls. This acts as a reminder to Andy of his incarceration. It also gives him the idea of tunneling out, when he tries to carve his own name into the wall. The walls of the old library are cracked and worn. This is similar to the mental state of many of the prisoners, especially Brooks. Originally the prisoners hate the walls. Then they get used to them. Eventually they come to depend on the walls. Their lives in the prison become cracked and worn. At times these walls do provide strength. For example, Andy leans against the wall as he is talking about his dreams for Mexico. These walls give him the strength to go through with his plan to escape. Lighting plays an integral part to the deeper meaning of the movie by setting the atmosphere. There is extensive use of shadows, fadeouts, and partial sunlight to represent the cloudy mental and moral state of many of the characters. Shadows cover the majority of characters throughout the film. This is created by the fact that when the sun shines, it does so only on one side of a character, usually their back. This alludes to the thought that these people have the truth about them, yet are unable to truly see it. A good portion of the movie occurs in the dark. Lights out at the prison is an extremely dark time when the characters are left with only their own thoughts. The nighttime death of Tommy Williams alludes to the desire to stay away from the truth. Hadley walks into the light after he commits the murder to show that he partially realizes the wrongdoing he has just committed. However, at the end of the movie there are no shadows. As Red walks along the beach to Andy everything is seen as it really is. This is so figuratively and literally. Water provides the sense of purification. Andy escapes from Shawshank by crawling through a 500-yard sewage pipe. At the end of the pipe he falls into a river that is overflowing with the rain. The river and rain act as purification not only physically, but mentally and spiritually. Andy is now truly free. Andy Dufresne, who crawled through a river of **** and came out clean on the other side (Glotzer). This act of water has redeemed him. The ocean at the end of the movie also acts as a purification symbol. Andys life by the ocean redeems him for the wrongdoings that he is forced to endure. When all three of these ideas are put together, they create a connected current throughout the movie that shows the deeper meaning in its full light. Although things may seem to happen at random, such as the choice of a name or the o ccurrence of a similar situation, these things have deeper meaning behind them. Names of characters and places can reveal things about them that nothing else can. For example the name Tommy Williams appears to be just a common, wholesome name. Yet, when you look at the individual meaning of each name it comes to mean a protector that is trying to struggle between good and evil. This meaning is an accurate description of Tommys character. Symmetry plays an important role in the deeper meaning of a story. Similar things happen throughout the story that when seen upon completion shows a contrast. An example of this from the movie is freedom. In the beginning and in the end Andy is free. However, his states of freedom are very different. In the beginning Andy is involved in an unfaithful marriage. This imprisons him. Yet, at the end, Andy is completely free and capable of fulfilling his dreams. All of these seemingly minor things, when put together, aide the creation of the deeper meaning of the movie. The use of particular colours within a scene, give that scene a deeper meaning. This technique is used throughout The Shawshank Redemption. The colour red plays an integral part to the movie. In the beginning scene, as the story of Andys trial is being told, Andys wife is seen in a red dress while embraced by her lover. The red dress symbolizes the vitality of her life and the passion of her sins. The first real sense of bright color within the prison occurs when the prisoners do labour outside of the prison. They wear pants that are blue with a red stripe running down the leg. This shows the conflict between gluttonous desire for freedom and the reality that their lives are confined to behind the prison walls. The cigarette package that the Warden has before Tommys death is red and white. The red and the white together represent Tommys desire to tell the truth and the anger of Norton for trying to hide it. Warden Norton is wearing a red tie when he kills himself. This time the colour red signifies Nortons pride. He refuses to allow anyone else to control his fate. The stamp that approves Reds parole is used with red ink. The red reinforces the idea of Reds new lease on life. Red hitches a ride to Buxton in an old red pickup truck. The truck brings him one step closer to fulfilling Andys dream of a new life for him and Red. The Trailways bus that Red takes to Texas has red detail on the side. This reinforces the trucks meaning. Andys boat is red and blue. This symbolizes the pride that Andy has for taking fate into his own hands and being redeemed for his false punishment. The rest of the movie consists of darker, blander colors. While in the prison mostly everything is gray or a dark shade of blue, from the uniforms to the building itself. This creates a dark atmosphere and a sense of hopelessness. It also attempts to take away from the individuality of the characters by molding them into a uniform group. However, when blue appears in the ocean at the end of the movie, it is bright and vibrant. For this circumstance, blue means a fresh start at life. During all three of Reds parole hearings, the five members are white. On one hand, this shows the injustice that Red is put through. On the other hand, the white can symbolize goodness, and the moral correctness that the parole board is supposed to represent and judge. White also appears in the end of the movie as Red walks across the white sand. In this situation it means justice, as in the justice that is served to Andy. There is green moss on the prison walls. This symbolizes Andys envy towards those who are free. After Red is released from prison, he works at the Foodway, where he wears a green smock. He is envious of the fact that although he is no longer in prison, he is still not completely free. Red also buys a compass with green directional letters to help him find the correct field. This shows that although he is going in the right direction to freedom, he is not quite there. Andy hides the tin box under a black volcanic rock. The black rock, like Andy to the other prisoners, is out of place in its bland surroundings. While black typically represents evil, this black represents the goodness of Andy. In the first scenes of Andy at Shawshank prison, Warden Norton informs the new prisoners of his rules. The first rule that he states is, no blasphemy (Glotzer). This proves to be ironic as Norton himself blasphemies everything he comes into contact with. He uses his position of power to corrupt the prison system in order to benefit himself. Norton uses Andy to launder money that has been earned though shady deals. Norton is responsible for the deaths or the cover-ups of several of his inmates, such as Tommy Williams and Bogs Diamond. In the first meeting between the warden and the new prisoners, Norton also adds his dedication to discipline and the bible. He believes in ruling with a hard hand. The guards are allowed to beat the prisoners if they feel that it is necessary. Norton is also for the use of solitary confinement to punish his prisoners. He places Andy in the hole for two months after Andy calls him obtuse (Glotzer) for not helping Andy fight for a retrial, and then mentioning the laundering business. Norton proclaims that he believes in the bible yet he does not live by its ways. He gives each inmate their own bible in hopes that they too will be able to allow God to lead their way. There are several bible references made throughout the movie. The Warden quotes Mark 13:35, Watch, therefore; you do not know when the lord of the house is coming (Glotzer), to Andy during the cell toss-up. Using this quote allows Norton to appear powerful in his position as warden, yet also let Andy know that the purpose is to size Andy up. Andy retaliates back with John 8:12, Jesus spoke to them again, saying, I am the light of the world. Whoever follows me will not walk in darkness, but will have the light of life (Glotzer). Andy realizes that Norton is corrupt. He is challenging the warden by saying that the step to a moral life would be not following Norton. Norton ends this meeting by saying Salvation lies within (Glotzer). This is true for Andy. It is his inner strength and desire, to right the injustice that has occurred to him, that allows him to escape from Shawshank and get his life back. There is a cross-stitch, made by his wife, of the phrase, His judgment cometh and that Right Soon†¦(Glotzer) covering the safe on the wall of Warden Nortons office. This is ironic due to the fact that the wrongdoings that are hid in that safe come out to punish Norton when Andy escapes. Norton is the one who receives punishment for the crimes he commits. This fact is only reinforced when Norton discovers Andys bible in the safe. On the inside of the cover Andy writes, Dear Warden, you were right. Salvation lay within. Andy Dufresne (Glotzer). As Norton opens the bible to the book of Exodus it is revealed that the bible had held Andys rock hammer. The book of Exodus lends itself to Andys own freeing of himself and the truth as Moses freed himself and the slaves. Minor items within a movie can have extra symbolic meanings. For example chess and rocks serve as a symbol of Andys meticulous and refined nature. This meaning is evident in the quote from Red, Old Andy loved geology. I imagine it appealed to his meticulous nature (Glotzer). Chess and his rock collecting gave Andy a sense of how his life used to be. This also happened through music. This chance at freedom is the reason Andy decided to play Mozarts Duettino: SullAria over the loudspeakers. It was as if a beautiful bird flapped into our drab little cage and made those walls dissolve away, and for the briefest moments everyman at Shawshank felt free (Glotzer). Music symbolizes freedom and hope for Andy. He gives a harmonica to Red as a parole rejection present to show that Red needs to keep the hope alive, and music can do that. Andys posters symbolize the hiding of the truth. On the surface the posters appear to be just pretty girls that no one would question. However, they cover a tunnel that Andy digs that allows him to escape. Another symbol that could go by easily unnoticed is the picture of the R. M. S. Queen Mary on the lid of the tin box. The RMS Queen Mary was launched on September 26, 1934 to symbolize the end of the worldwide depression. The ship has lasted through a world war and set the standard for liners. This ship in many ways is like Andy. His escape from Shawshank symbolizes the end to the long and unjust battle that he was forced to fight. He is also the beacon that Red looks to for an example of how to truly live. Another important symbol to the movie is the Mexican town of Zihautenejo. Zihautenejo is an old fisherman town on the coast of the Pacific Ocean. It is known for its beautiful beaches and peace (Zihautenejo 1). The town symbolizes the life that Andy not only dreams of having but deserves. There he will be able to live a quiet life full of simple pleasures that were kept from him. There he can be completely free. The movie The Shawshank Redemption uses many different techniques to convey a deeper meaning than the surface story. Upon closer analysis the viewer can see that tiny items such as colors, names, symbols, references, and others, can greatly contribute to full effect of the story. Through these techniques, the viewer is able to see the true character of Andy Dufresne and the entire situation that he goes through. Form this the viewer receives a greater appreciation for the hardship that occurs throughout the movie. A deeper meaning is understood and therefore more can be taken from it.

Orientalism And The Depiction Of Arabs Through Media Media Essay

Orientalism And The Depiction Of Arabs Through Media Media Essay I am half Egyptian, but was raised in a non-Arab society; therefore I can relate personal experiences into the concept of Orientalism. I connect to the Arab culture, in this case the other, but since I grew up in a Western society, I also express outlooks molded by this environment. Upon visiting Egypt for three weeks in 2001, I was able to contrast the two portrayals and create my own image of Arabs through direct observations. My paper will approach orientalism, specifically dealing with Middle Eastern people, and how the media has altered the Western image of the orient to exaggerate Arabs as a villainous race. Through political speeches, movies, cartoons, video games and news reports in the media, orientalism in the Western world, primarily being the Americas along with Europe, falsifies the Arab image and validates the barbarically threatening notions seen within Western societies. When asked to define an Arab person, people immediately bring forth a specific sketch. It is where these specific images come from that anti-Arab racism and, in this case, orientalism exist. Orientalism is defined as a framework that includes symbols, signs, language, and images to depict the East, and determine how they act differently than the West (Glyn, Meth and Wilis 2009). In othering the Arab population, Orientalists [have] created a stereotype image of the [Middle] East in order to better manage it (Salaita 2006: 248). This categorizes the Western culture as normal, above the abnormal Arab culture which, according to the orient, is habitually in need of being helped. Orientalism unreasonably brings millions of individuals together in one simplified image to which it is wrongly assumed applies to all people of the Arab race. Although I was able to visit an Arab country and note characteristics first hand, orientalism first began through images which were in no way based off of immediate observation, but through the fabricated representations told by others. Without various media sources widely available in the fifteenth and sixteenth centuries, the portrayal of the Arab race developed through European artists and travel writers who conjured ideas and fabricated art with their thoughts of what the people represented (Glyn, Meth and Wilis 2009). Many never witnessed the culture first-hand and worked predominantly off imagination and exaggeration of learned details (Sut 1998). Embellished characteristics that have been inherited in the West through time to represent Arabs include seeing them as: highly sexualized, mysterious, evil spirited, thieving, terroristic, exotic, needy and untrustworthy (Earp and Jhally 2006). This distorted image has been growing in peoples perception ever since the early paintings , and has only strengthened with new forms of media being introduced in the world. Images and media now reach the Western people with increased frequency and efficiency, thus allowing no chance for the dated depictions to dissolve. Edward Said, who is famous for his studies with orientalism, claims the barbaric Arab image is timeless as it was created outside of history. It is eternal as the images created within the colonial era are those same portraits we see today (Glyn, Meth and Wilis 2009). Presently, these colonial images are constantly reinforced through numerous media sources, whilst viewers in society subconsciously take in the commercialized image without question. Moving into the media, the government in the West is an institution that holds the highest power to directly influence the lives of individuals, controlling and deciding what the ideas and images of Arabs their citizens are accustomed to believe in and trust. Political elites thus hold the responsibility in transmitting international issues so that the public may stand informed about what is happening half way across the world. As demonstrated with the Bush-Era and his view on Arabs post September 11th, the United States took to their presidents speeches on the entire Arab race and allowed the media to form their ideas for them. In 2006 George Bush stated, We face an enemy that has an ideology. They believe things. The best way to describe their ideology is to relate to you the fact that they think the opposite of what we think(Kumar 2010: 259). He then later said: Since the horror of 9/11, weve learned a great deal about the enemy. And we have learned that their [the Arabs] goal is to build a radical Islamic empire where women are prisoners in their homes, men are beaten for missing prayer meetings, and terrorists have a safe haven to plan and launch attacks on America and other civilized nations. (Kumar 2010: 260). Bushs remarks are only one example of how a political speech can falsely characterize Arabs and cause countless societies to use the skewed form of media as their source for learning about the other. The media is controlled by the most influential people who can successfully impose specific ideas on those willing to accept them as truth (Sut 1998). In stating the Arab race as a whole to be the enemy, millions of ordinary Arab individuals have their lives, which do resemble Western lives in many senses, being distorted within the Western image. Pinning every single Arab as the enemy is unrealistic and robs the larger part of the race, which is trusting and simply living an average life with no intent of harming the West, of ever being respected. Furthermore, politics is connected to Hollywood as the two rely on one another to formulate images pushed into societies. Therefore Hollywood cinema incorporates Arabs into productions where they are not needed and of no help to the stories. As American producers are the power holders in the movie industry, it is in their authority to determine how the Arab image is intentionally warped and presented (Earp and Jhally 2006). Over three hundred movies today, or 25% of the film industry, demean Arabs with racial slurs and static characters, usually added solely for comic relief or to bring a barbaric presence (ibid). The seemingly innocent Disney shows through the classic Aladdin, stereotypes of those with Arabic decent. With a song in the film it is said that the Middle East is a place where they cut off your ears, if they dont like your face, its barbaric, but hey its home. The video influences young children to grow up with preset images of an Arab who is purely violent and malicious , based off the Arab characters numerous evil actions. Another example of the distorted image is in the Gladiator, where slave traders were, for no reason, Arabs (ibid); In True Lies Arabs were made out as incompetent (ibid); Never Say Never and Jewel of the Nile both show Arabs as prominently imprisoning and oppressing women (Shaheen 2000); Navy Seals justifies the tang and bang of Arabs; and 24 justifies the torture of innocent people because of the idea that Arabs are suspicious and dangerous despite the fact they live in an American community (Earp and Jhally 2006). Film after film, Arabs are robbed of their humanity, yet the repetition in these Western created films recycles the images to the point where the stereotype is transparent and the depictions are expected. In reality, however, many Arab women work outside the home, men are in trusted occupations, families are not secretive and violence is not tolerated (Salaita 2006). The consistent images in the media refuse to show Arabs in the previously mentioned positive light, and thus with never seeing favourable images in the media, the public is hesitant to believe such characteristics are true. Falling in close line with the original European portraits of the other, cartoons today are a form of media where the Arab origin is vastly exaggerated and exploited through harmful humour. One controversial cartoon was published in a Danish newspaper, Jyllands-Posten, in September 2005 which caricatured Islam and presented the Muslim Prophet Muhammad in twelve intended satirical affairs (Kumar 2010). One of the images shows him with a lit bomb on his head instead of a turban, while another has him with a sword ready to fight, accompanied by two women dressed with only their eyes visible (ibid). The comic was drawn with humour as the objective, however, offended many and caused much debate due to the obvious attached portrayals. Looking once again to Disney, even in the well-known show Looney Tunes, Daffy shoots at three winsome Mexican mice. The mice call Daffy, among other things, Arab Duck!' (Shaheen 2000). The children watching Daffy Duck would have otherwise associated the shoot er with any bad person, but with the comment they learn to connect people who shoot others as Arab (ibid). Because cartoons are colorful images with few words, it is easier for them to slide by as a joke or pun, when in reality the oppressed woman, terrorist men and villainous personas are brought into orientalism as real tags to the Arab nations. Cartoons bring direct ideas, which are simply put, causing readers to instantly absorb the offered stereotype, as they are easier to bring forth when characterizing others than ones own ideas. As children get older they tend to switch from cartoons to video games for immediate amusement, and once again, orientalism is found within the media form. Game makers have the power to create games in any manner they desire, thus in distorting portrayals of the Middle East to suit existing Western ideas, they reel in their desired capital whilst leaving audiences with self-satisfying yet incorrect images. Research done on 90 European and 15 Arab made video games with Arab people holding a key role in game-play have shown that the identities of the Islamic world have been flattened out and reconstructed into a serious of social typologies operating within a broader framework of terrorism and hostility through video games (Sisler 2008:203). Games such as prince of Persia (Broberbunst, 1989), Arabian nights (Krigalis, 1993) and Al-Qadim: The Genies Curse (SSI 1994) are all examples of video games which solidify the image of the orient where Arabs are dangerous, aggressive, untrustworth y and live only in the desert (Sisler 2008). As the video games above have quests, many require the player of the game to save a girl or princess who has been kidnapped by an Arab man (ibid). As well the Arab tend to raise their guns above their heads after a kill and mockingly laugh while adding nothing to the games purpose (Sisler 2008: 209). The idea that the Western player has to save the girl from the Arab and be the hero up against the villain character reinforces the stereotypical image of the Middle East as barbaric. As stereotypes can lower self-esteem, injure innocents, impact policies and encourage divisiveness the images of orientalism need to be removed from society so that people of the Arab race are not faced with deeply rooted prejudices which lack valid ideas about who they are as people individually (Sisler 2008: 204). Additionally videogames based in Arab settings are one-dimensional with little to no variety in scenery. Even though each Middle Eastern nation is unique, the in-game surroundings and setting are rendered frequently by iteration of a limited number of textures and schemes, most often the desert, so that an idea is assumed that no other landscapes or appearances of the nation exist (Sisler 2008: 206). Although video games are often a neglected source of media, the problem behind video games is that most of them are foreign made [à ¢Ã¢â€š ¬Ã‚ ¦] and bear enormous false understandings that habituate teenagers to violence, hatred and grudges which add to the racist issues within the world (Sisler 2008: 211). With the youth of today absorbing one sided false perceptions of a race at such a young age, the individuals reach adulthood with the ideas often so heavily embedded that one becomes blind to accepting the true image and allows the orientalism depictions to influence actions and jud gments towards the other. Not aimed for purpose of comedy or entertainment, still photography acts similarly to cartoons in creating an imaginative geography [à ¢Ã¢â€š ¬Ã‚ ¦] which unambiguously divides the world into two unequal parts the known world of the Occident and the larger, different part called the Orient (Trivundza 2004: 489-490). Images used in the media are strategic in that certain absences are intentional to the pictures. This refers to three main factors that ensure that stereotypes remain. First is the absence of diversity, which deals with showing coverage of only specific events and ignoring others (Trivundza 2004). The second fact is the absence of unveiled women, which leaves spectators believing all women of the Arab race are oppressed and forced to cover (ibid). As an Arab myself, I am one of the thousand underrepresented women to prove this image wrong, yet only one in ten photographs in Western Media shows an unveiled Arab (ibid). Third, and finally, is the absence of active subject who are working. Images show them as passive, grieving, and incapable of creating value (ibid). All three absences add to the idea that Arab women are oppressed, the race is lazy and that what applies to one individual applies to all. The absences collectively provide the audience with portrayals that only stand true to a certain extent, and ignore the other realities of the race. In short the media pushes to produce photographs completed with images of backwardness and irrationality (Trivundza 2004: 489-490). Although Orientalism has existed since colonization, it is upon the September 11th bombings of 2001, where many argue the image of the Arab other exploded in news reports, and the characteristics of Arabs as terrorist and savage were highlighted. Since the bombings took place in the United States, the West felt that the attacks [à ¢Ã¢â€š ¬Ã‚ ¦] provided an ostensibly empirical pretext to legitimize anti-Arab racism, but in no way did 9/11 actually create anti-Arab racism (Salaita 2006: 251). This means that 9/11 did not create anti-Arab racism but instead validated it (Salaita 2006). Upon watching the news on television, the most barbaric images with high violence and extremists are shown to evoke emotions within the audience, and solidify the images orientalism generates. Even when it had been proven Saddam Hussein was in no way linked to the actions of Al-Qaeda, the public continued to rely on embedded conceptions through the news to believe Iraq posed as an immediate threat to th e US (Glyn, Meth and Wilis 2009). As well, in certain cases voiceovers are done so that the English Western viewers can make sense of situations, yet, the translations are at times improper and edited by Western stations to only present specific words (Sut 1998). The news adjusts story details because they have the control to do so, and because they know that communities are powerless as to what they are shown. In maintaining their own Western image, news of how the US has killed innocent Arabs, or how their soldiers abused those held captive by leaving them naked in compromising positions to the entertainment of soldiers, rarely, if ever, hit TV screens (Sut 1998). The news is presented so that harm on the Arab communities is deserved and justified, while harm to the Wests is for no apparent reason. Additionally, videos on the news are specially selected to include mass amounts of people to appear as though the evil and negative emanation gives off a frightening and threatening imp ression that can be applied to the race as a whole (ibid). The images of rallys and swarms are not representative of the entire race, but as it primarily what is shown in the West, it is clear why the image is believed. Between Arab countries vast differences exist, for example Egypt compared to Algeria shows immense lifestyle differences and culture, but with Western news, Arab unites all the Arabian countries as identical. One specific example of where orientalism wrongly accused Arabs through the news was in 1995 with the Oklahoma City bombings (Sut 1998). Immediately after the attack, countless news reports aired which forcedly claimed the Arabs were behind the attack and that it was linked to a Muslim plan. The bombing, unlike any media claims, was actually performed by a Caucasian male within the state itself (ibid). Audiences were told to be aware of Arab citizens who looked suspicious, and even Edward Said had been contacted personally, when he had no personal connection to anything of the matter (ibid). After the white male had been convicted, he was in no sense labeled a terrorist, where as the Arabs had attracted the allegation without one piece of actual proof. The bombing revealed that the portrayal of Arabs within Western news jumps to conclusions based on the stereotypical images that the Global North has been bred to believe. With such generalized depictions of the Arab peoples, many struggle to understand how the images have remained in the media. Unfortunately almost all Arab countries have no democracy and therefore require Western patronage to function (Sut 1998). The Arabs have given way to the power of money and allow the images to be presented because if they were to stand up and protest or enforce policies, the West would be quick to threaten dropping all assistance (ibid). Money sadly pays off the the other to allow the images to continue, and the West, as capitalists, continues to do just that. As James Baerg, Director of Program Practices for CBS-TV in New York City said [Arab stereotyping] is the same thing as throwing in sex and violence when an episode is slow, implying that insulting humour it is a quick fix to boost sales (Shaheen 2000: 22). Middle Eastern countries are aware of how they are seen by the West, but are currently faced with too many other issues to focus on changing the image . In imagining speeches, news, movies, or cartoons without the exaggeration or unnecessary use of Arab characters, it is possible to conceptualize a true image, which would not distort how the majority of Arab individuals live. Through my paper it is evident that media has the power in displaying images they know most Western citizens will be unable to experience themselves, and therefore impose Orientalism. As it is easier to carry on the false image from history to the present than recreate and adjust how people see Arabs, few have found success in changing the representations. So will the image of the orient ever dissolve? And if so will it be in the medias hands? Or will Arabs stand as a race to change the image of the orient? Only the future will answer the questions, but it is still unusual how many people today believe in the phrase seeing is believing, but when seeing is done through anothers eyes (the media) before our own, the phrase seems to lose no value.

Resume :: essays research papers

OBJECTIVE:  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Motivated, a proven performer in retail sales management and operations for multiple industries. Record-setting sales leader skilled in coaching best practices and maximizing profits. Fast-track career progression and history of repeated rewards. Committed to providing an atmosphere of exceptional employee morale and impeccable customer service. Dedicated to achieving sales targets while providing excellent customer service. EXPERIENCE:  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  10/1999 - Present Footlocker Inc. Dearborn, MI   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Assistant Manager Manage day-to-day activities of sales floor with 1.9 million inventory and drive sales forward. Taking on responsibilities such as manager duties, open and closing procedures, dealing with prospective customers, sales, and handling merchandise. Also capable of scheduling for entire staff, meeting daily and monthly gains and goals, training other employees, hiring, supervising, dealing with an high quantity of inventory daily and also taking care of excessive paperwork daily. Selected contributions:   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  *Store was ranked the #1 high volume store in entire league *Had contribulate in making the store a 1.9 million-dollar store for the entire year of 2004   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   5/2003 - 9/2003 Kraft General Foods Battle Creek, MI Factory Worker Had the experience to work in a factory doing jobs such as cleaning and running machinery. (Summer help only) 5/2000 - 5/2003 Allstate Insurance Battle Creek, MI Secretary Dealing with Insurance and having responsilibilites such as taking payments, getting claims and quotes for insurance, answering phones, typing, filing, and greeting customers.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   EDUCATION:  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  9/2001 - Present Wayne State University Detroit, MI   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Pharmacy Major/Business Admin. Minor Focus on getting my Bachelor’s Degree in pharmacy. Later, go to graduate school and receive my Ph. D. Degree in pharmacy also. Also, working on getting my Associate’s Degree in Business Administration. 9/1997 - 6/2001 Battle Creek Central High School Battle Creek, MI A diploma received with general studies KEY SKILLS:  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Merchandising, Service/Sales Incentive Programs, Strategic Planning, Record-Setting Retail Sales Growth, Fiscal Management, Loss Prevention Initiatives, Motivational Training, Supervision, Cost Control Strategies, and Customer service skills.

Use of Ethos in Political Campaigning :: Persuasion Rhetorical Analysis Essays

Use of Ethos in Political Campaigning Political campaigning, is it annoying? Many people would agree that it is, but if one looks closely behind the face value of the so-called annoying promotion, one may find a soon to be political figure using a perfect example of persuasion known as rhetoric. Breaking down the rhetorical theories applied to a campaign image can make the political figure seem a lot more interesting. Al Gore and the Democratic party, for example, used name and reputation to run for president of the United States in 2000. An advertisement found on the internet in 1999/2000 proves use of the three theories of rhetoric- ethos, pathos, and logos. Aristotle was one of the first persons to use rhetoric as well as apply it to speech and writing. By referencing to the rhetoric used, one can see how this ancient style of persuasion has lasted long into the twenty-first century. One can also see how rhetoric works on us as a society today. In a photogragh produced by the Democratic party of 1999/2000 situated ethos was used to promote Al Gore. He was vice president in the same year the advertisement was promoting him, and was using his reputation as vice president to run for president. So it was only fitting that Al Gore would be centered in the photograph. He was not the main focus of the photograph, but definitely big part of the advertisement. The main focus of the advertisement was the text. The text was very easy to notice with a background that appeared to be a hand-painted city of many colors. The city seemed to be something much like what one would see on a cartoon. In large, white print painted over the colorful city were the words A Voice for Working Families. By using this text the Democratic party was using honorific language (pathos). The colorful background could be interpreted as pathos by appealing to the audience visually. The text was being used as a tool to relate and speak to primarily middle Americans also known as the blue collars of society. With this text Al Gore was saying without speaking, he could relate on their level and he was willing to be their voice in government. Al Gore was using positive text by letting the Americans in the middle class know that he was taking their concerns seriously. As well as the city of colors, the white text, and Al Gore there were four people in the advertisement.

Comparing and Contrasting Low-Carbohydrate and Low-Fat Diets Essay

Comparing and Contrasting Low-Carbohydrate and Low-Fat Diets The low-carbohydrate diet and the low-fat diet take two different approaches to achieve the same goal of weight loss. The fundamental difference between the two diets is found in the comparison of their nutritional recommendations. Nutritional recommendations are the foundation of both diets, although their views on the role carbohydrates, proteins, and fats should play differs greatly. Dieters are told that following these nutritional recommendations will promote weight loss. The amount of weight loss achieved with either diet fluctuates over time and in the end, the results for the two diets are similar. Low-carbohydrate diets recommend eating foods high in fat and protein while limiting carbohydrates in order to promote weight loss. Foods high in fat and protein are the main source of calories during the first phase of weight loss on the Atkins diet. It is recommended that fat make up about 60% of calories ingested and protein make up 35% of calories ingested. The Atkins diet does not restrict calorie intake and they recommend that you eat until you are full. Researchers believe that overeating is avoided due to the lasting satiety dieters receive from eating large amounts of protein. The Atkins diet allows 5% of calories to be from carbohydrates, ideally only from non-starchy vegetables. The logic behind the restriction of carbohydrates is that without them present in the blood, the body is more likely to utilize stored fat for energy. Unlike many other diets, restrictions are not placed on the kind of fat and protein to be consumed; dieters are able to choose for themselves whether to stick with lean meats and unsaturated fats or to choose fatty... ...le to shed pounds more quickly than those dieters eating lots of carbohydrates on the low-fat diet. Low-carbohydrate and low-fat diets require adherence to very different nutritional recommendations while ultimately achieving similar weight loss results. Low-carbohydrate diets, such as Atkins, encourage dieters to eat things high in protein and fat, whereas the low-fat diet requires dieters to eat mostly carbohydrates while limiting protein and fat intake. Researchers have found that both of these diets help to promote weight loss short term using strict nutritional recommendations, but that neither of them seem to be able to help dieters maintain their lower weight long term. Sources: Astrup, Arne, Thomas Meinert Larsen, Angela Harper. â€Å"Atkins and other Low-Carbohydrate Diets: Hoax or an Effective Tool for Weight Loss?† TheLancet.com 4 Sept.2004

Human Characteristic traits that make them good or evil Essay

Humans can be good, evil, or even both, and the characteristics they portray represent who they are. Throughout many cultures around the world humans have characteristic traits that are good and evil. Universally speaking good defined by Webster’s dictionary: Being positive or desirable in nature; not bad or poor. And Evil: Morally bad or wrong; wicked. Now one can say that bravery is a good characteristic for one to acquire. On the other hand, tricking/fooling/lying to some one is a bad characteristic for a human to posses. Honesty is generally identified as a good trait as well. Being brave and honest are great qualities identified around the world as good traits for a human to either receive or retain. But, Lying or tricking someone is known to be an evil trait for a human to exercise. In America and other countries around the world bravery is a very important quality for a human to own. In the past it was only men who could be brave, after all men were the ones fighting in the wars; it was their acts of bravery that has made the world what it is today. Now women are able to actually show how brave we are. There are now many women in war and all of them are brave. But, being brave does not just mean fighting for your country. It means being able to fight, think, and even feel pain for someone else. It can be as simple as a young child taking the training wheels off their bicycle. In the story And Clay we are Created two characters show tremendous acts of bravery, Azucena and Rolf. Azucena is a young 13 year old girl who is trapped for many days. Rolf is a reporter who over comes a fear while talking with her. In the end Azucena and Rolf both overcome a fear of death. Overcoming a fear is simply brave. Honesty is sometimes how the world goes round’. If no one was honest then how would anyone be able to function or trust anyone? The world would be even more of a crueler place than it is now. Every employer is looking for that honest person. Everyone’s vote goes to who they think is the more honest candidate. When people are honest they acquire a good reputation i. e. Honest Abe, that of course being one of our good presidents Abraham Lincoln. In the story A Piece of String the main character is accused of stealing a wallet full of money. His accuser said he saw him picking it up and then acting like he was looking for something. It was actually him just picking up a piece of string. After the main character got a bad reputation the wallet was returned, but unfortunately it didn’t instantly make him an honest person. Lying/ tricking a person or many people can be definitely looked on upon as evil or as a sin. Throughout US history many Presidents have lied. A couple of examples are Nixon and Clinton. But, not only in politics is where liars are found. They are found in court, on TV, and even in novels. For example Anansi in Anansi Owns All Tales That Are Told is a liar. He tricks animals and other insects into closed devices so he can bring them to the sky god, in order to own all stories that are told. Whether a person is good or evil depends on their traits as an individual. Sometimes a person is good and evil. And sometimes people are just plain evil. But Honesty and Bravery will always be looked upon as good traits. And Lying/ tricking will always be looked down upon by the human race.